The Royal Factory of Capodimonte
A journey into the history of the place where it all began.
In 1743, Charles of Bourbon brought a dream to life: to establish a royal manufactory in Naples capable of transforming porcelain into art, prestige, and identity.
In 1743, Charles of Bourbon founded the Royal Factory of Capodimonte. Alongside him, Maria Amalia of Saxony shared a passion for a craft that the great European courts sought to master.
In the eighteenth century, the grandeur of a court was also displayed through palaces, works of art, and manufactories. Porcelain became a language of prestige: it conveyed the culture, wealth, and capabilities of the Kingdom.
Creating porcelain capable of competing with the great European manufactories meant proving that Naples was a capital.Modelers, painters, and artisans worked side by side.
A figure could pass through different hands before being completed.
Porcelain was the result of collective knowledge.
A journey into the history of the place where it all began.
Gestures, technique, and patience behind porcelain craftsmanship.
They look similar. But they are not the same thing.
Warm, textured, and porous. It is the ceramic with the characteristic color of earth.
It is the name of the large family. It includes very different materials and processes.
Finer, more compact, and durable. Its fineness allows for modeling extremely delicate details.
Porcelain is ceramic.
But it is one of its most refined forms.
It wasn’t just the material. It was the way the artists learned to use it.
Figures and scenes take shape in porcelain.
The polychrome decoration brings the details to life.
Petals, leaves, and small details seem to lose the weight of matter.
Scenes and characters turn every work into a little story.
Between 1757 and 1759, the Royal Factory created an entire room covered with polychrome porcelain for Maria Amalia of Saxony.
Flowers, exotic animals, and decorations filled the walls.
Carlo di Borbone fonda la Real Fabbrica di Capodimonte.
Carlo sale al trono di Spagna come Carlo III. La prima manifattura di Capodimonte conclude la sua attività.
Ferdinando IV avvia una nuova manifattura reale napoletana.
Today, Capodimonte porcelain continues to live on in the hands of artisans.
In the flowers, figures, and small details, learned, repeated, and passed-down gestures remain.
The tradition continues because someone continues to keep it alive.
Flowers, vases, and decorative works born from the tradition of Neapolitan porcelain.
See the Capodimonte porcelains